The average quality score at our professional custom essay writing service is out of The high satisfaction rate is set by our Quality Control Department, which checks all papers before submission. The final check includes: Compliance with initial order details. Plagiarism. Proper referencing Thesis proposal powerpoint presentation, architecture essays architecture essay writers special education director resume objective masters degree dissertation sample custom essay about broadway musical theater custom research paper proofreading services uk, sample resume follow up email The Beach party film was an American film genre of feature films produced and released between and , created by American International Pictures (AIP), beginning with their surprise hit, Beach Party in July With this film, AIP is credited with creating the genre. In addition to the AIP films, several contributions to the genre were produced and released by major and independent
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The Beach party film was an American film genre of feature films produced and released between andcreated by American International Custom essay about broadway musical theater AIPbeginning with their surprise hit, Beach Party in July With this film, AIP is credited with creating the genre, custom essay about broadway musical theater. According to various sources, the genre comprises over 30 films, [4] custom essay about broadway musical theater [6] with the lower-budget AIP films being the most profitable.
The earliest films by AIP, as well as those by other studios, focused on surfing and beach culture. Although the genre is termed "beach party film", [4] [5] [6] several subsequent films that appeared later in the genre, while keeping most of the core elements mentioned above, do not actually include surfing — or even scenes on a beach. One of the earliest uses of the term in print is found several times in the June issue of Mad magazine in an article written by Larry Siegel.
Occasionally the term "surf movie" refers to a straightforward dramatic film that uses surfing as a backdrop or plot device, custom essay about broadway musical theater, such as Big Wednesday or Blue Crush.
Although both Columbia Pictures 's Gidget and Gidget Goes Hawaiian have been cited as precursors to the genre, in that Gidget "launched surfing into mainstream America," [14] [15] while its sequel merely repeated the effort, AIP had actually established an archetype for Beach Party with 's Hot Rod Gang and especially with its sequel Ghost of Dragstrip Hollowboth written by Lou Rusoff.
Additionally, 's Where the Boys Arefrom Metro-Goldwyn-Mayer and perhaps to some degree 's now-obscure Gidget imitator, Love in a Goldfish Bowlfrom Paramount Picturescustom essay about broadway musical theater, are two films that established a tone custom essay about broadway musical theater light-hearted adolescent sexuality that would be exploited by AIP in Beach Party.
AIP Producer Sam Arkoffin his biography, Flying Through Hollywood Custom essay about broadway musical theater the Seat of My Pantsexplained that he got the idea for the first Beach Party film from an unnamed Italian film that he and fellow producer Jim Nicholson screened in Rome in the summer of Arkoff said that he didn't care much for the Italian production because "there's not enough there that American teenagers can identify with.
But the beach is a wonderful setting for a teenage film. And it doesn't hurt to show girls in skimpy bathing suits. AIP's premiere Beach Party took the Gidget idea, removed the moral lesson and the parents, added more young talent with fewer clothes, and followed the studio's usual format of pandering to teenage filmgoers with popular trends, original songs and music.
Regarding the idea of adding more music — and specifically the kind that attracted a teenage audience — film and music historian Stephen J. McParland writes:. AIP was more concerned with what was happening on the streets rather than what such sanitised copy as Billboard and Cashbox was interested in promoting — and this was obviously reflected in the product the studio was renowned for; AIP was a rebel and in reality, a leader; unlike the monolithic and respected Columbia Pictures Corporation.
Another key to the success of Beach Party and its many sequels was the theme of teenage freedom, as parental involvement was non-existent. Unlike previous films such as the aforementioned Gidget and Love in a Goldfish Bowl custom essay about broadway musical theater, parental characters do not appear in any of the AIP films, and are rarely mentioned in their plots, if at custom essay about broadway musical theater. The politics and problems of the day, such as the seemingly endless Vietnam Warthe political assassinations, the civil rights riots and similar issues were also ignored as these were primarily viewed as problems created by adults, not teenagers.
Additionally, these films were produced as escapism, custom essay about broadway musical theater, so the characters in them lived in a world where the focus was on having a good time. The advertising for the films was also fairly suggestive for the time period, promising on the poster much in the way of teenage sex, yet delivering little of it onscreen.
For example, Beach Party teased, "It's what happens when 10, kids meet on beach blankets! Occasionally modern critics [28] [29] — and even Arkoff himself [30] — have suggested that the so-called "clean teens" in these films did not smoke or drink, but this appears to be based on recollection rather than observation: Avalon and others smoke in both Beach Party and Muscle Beach Party the Surgeon General 's report on smoking was not released until Januaryand beer is referenced in several of the AIP films, [31] [32] as well as custom essay about broadway musical theater imitators like 's Palm Springs Weekend and 's Girl Happy.
In reality, more "sex" was suggested in these films — as well as their posters and trailers — than in anything the studio had previously produced. Arkoff was able to get Academy-award winner Dorothy Malone who had appeared in his first picture for AIP, The Fast and the Furious and the popular Bob Cummings as adult supporting characters, but he needed a couple of names for the lead teenagers.
Arkoff next made a deal with former Mouseketeer Annette Funicellocustom essay about broadway musical theater, whose contract with Walt Disney had a clause stating that she could work in non-Disney films subject to the approval of Disney's legal team.
The deal came with one caveat, that Funicello not appear in a bikini reportedly, Disney himself had to be settled down by Arkoff when he custom essay about broadway musical theater that his subordinates had allowed Funicello to appear in the AIP film at all.
With Avalon and Funicello on board, a shrewd pairing was evident. CinemaEditor magazine summed it up this way:. In Frankie and Annette, teenagers now had their own version of Rock Hudson and Doris Day as the 'bedroom farce' was moved to the beach and made a little younger, a little dumber, and stuffed full of wild music'. Beach Party was able to use Ashley as Avalon's sidekick; picked up Jody McCrea and Eva Six from AIP's own Operation Bikini; and secured "red-hot" surf music pioneer Dick Dale and the Del-Tones whose second and third albums custom essay about broadway musical theater be released by Capitol Records in to bring in their usual demographic.
When Beach Party hit screens in Julyit was a huge hit with the first five-day grosses reportedly well ahead of its competition, which consisted of the popular concurrently running major studio films HudTammy and the DoctorThe Nutty Professor and The Birds.
When the picture opened the theater was flooded with kids. In many cases house records were set, and new AIP gross records were also secured.
All of a sudden, theaters began clamoring for prints of Beach Party. A new cycle had begun. AIP followed up with Muscle Beach Party barely seven months later in Marchand Bikini Beachreleased only four months after that, was the highest-grossing film in their history — as well as the highest-grossing film of the genre.
American International Pictures produced a series of twelve films that fall into the genre. For example, much of the cast in Bikini Beach appear in the follow-up Pajama Partyalbeit with different names — however, biker Eric von Zipper appears in the film, along with his gang of "Rats," playing the same characters as in two previous films.
In addition, Ski Party would appear unrelated, except that the custom essay about broadway musical theater of Todd and Craig also appear in the later Dr. Goldfoot and the Bikini Machinewhich is also linked to How to Stuff a Wild Bikini by the appearance of Eric von Zipper and Annette Funicello. The only film not to have an appearance of some kind by either Avalon or Funicello is The Ghost in the Invisible Bikini ; early promos for the film had announced that the two would appear, but it did not happen.
Funicello does not appear in Avalon's Sergeant Deadhead and Avalon does not appear in Funicello's Thunder Alley.
As mentioned above, in addition to Avalon and Funicello appearing in nearly every film, AIP employed several newer actors, who were either relatively unknown or on the rise at the time. The following cast members showed up in at least three or more films: John AshleyDwayne Hickmancustom essay about broadway musical theater, Jody McCreaDeborah WalleyBobbi ShawSalli Sachse, Luree Holmes, Michael NaderValora NolandAndy RomanoSusan Hart, Jerry Brutsche and Linda Rogers.
Now-famous surfers Mickey Dora and Johnny Fain each appeared in six films of the series, both as extras and as stunt-surfers. A few actors — such as FabianTommy KirkDeborah Walley and Nancy Sinatra — appeared in beach party films made both by AIP as well as from other studios.
The AIP films also used a couple of established comedians more than once. Comedic talent Fred Clark appeared in both Dr. Goldfoot and the Bikini Machine and Sergeant Deadhead. Other popular comedians who made at least one appearance included Buddy Hackett and Paul Lynde. In addition, the AIP films regularly secured the custom essay about broadway musical theater of many well-known yet admittedly past-their-prime talents, with Buster Keaton being featured in three films Beach Blanket BingoHow to Stuff a Wild Bikiniand Sergeant Deadheadand Boris Karloff being featured in two films Bikini Beach and Ghost in the Invisible Bikini.
Other golden-age stars included Vincent PricePeter LorreElsa LanchesterMickey RooneyDorothy LamourBrian DonlevyEve ArdenCesar Romerocustom essay about broadway musical theater, Gale Gordon and Basil Rathbone. The musical talent that AIP hired was a mixed bag of established artists and those who were about to break. Shimmy sensation Candy Johnson appeared in the first four films appearing with her band, The Exciters, in the third film, Bikini Beach. Pepper spokesmodel Donna Loren appeared and sang in four films beginning with Muscle Beach Party.
An up-and-coming Nancy Sinatra acts and sings a song in Ghost in the Invisible Bikini two months after her hit record " These Boots Were Made For Walking " was releasedbacked up by the also-yet-to-break Bobby Fuller Four.
General manager of American International RecordsAl Simms, also commissioned the recording of four songs by his daughter Lu Ann Simmsreleased on soundtracks and singles for Beach Party and How to Stuff a Wild Bikini. All seven of the major studios of the s managed to release at least one film that would later be deemed part of the 'beach party' cycle, either big-budget affairs that they produced themselves, or low-budget knock-offs that they picked up for distribution. With the exception of MGM's Girl Happy an Elvis Presley vehicle and United Artists' For Those Who Think Youngcustom essay about broadway musical theater of these were able to duplicate the box-office success of the AIP product.
The beach genre peaked in with no less than 12 features released that year. The television sitcom Gidget starring year-old Sally Field as the titular California surfer girl, also premiered inlasting one season, custom essay about broadway musical theater. Similar to AIP, other elements sometimes were blended into the mix — horror, science fiction, spy spoof, college melodrama, etc.
Columbia released the mostly surf-less Gidget Goes to Rome in Augustand rather than copying what Beach Party had started, the studio released a true "surf drama" in the form of 's Ride The Wild Surfwhich turned an eye on big wave surfers challenging Waimea Bay — the first surf drama to do so [41] — albeit with the usual Hollywood gloss and fluff.
Twentieth Century-Fox released three films in the genre, starting with what has been called the "first Beach Party ripoff," [43] with their distribution of the low-budget Surf Partyfrom Associated Producers, directed by Maury Dexterin Januaryfollowed by Del Tenney 's The Horror of Party Beach in June of the same year.
The Horror of Party Beach has since been cited by critics and audiences as one of the worst films ever made. All of AIP's beach party pictures were full-color and in widescreen format, whereas Fox — a studio that was known for glossy, big budget productions — put out three contributions that were each low-budget affairs, in the standard 1. The aforementioned and rarely screened Love in a Goldfish BowlParamount Pictures' answer to Gidgetwith Tommy Sands and Toby Michaels as knock-off versions of James Darren and Sandra Dee was released in July An illustration of a surfer was used in the poster for the film, and a short beach scene was featured in the trailer, nevertheless, the bulk of the action takes place at a lake house in Balboa.
However, following the success of Beach Party, Paramount later put out three full-fledged 'beach party' imitations, starting with The Girls on the Beach and Beach Ballboth inand C'mon, Let's Live a Little in Warner Bros. was filming Palm Springs Weekend when AIP's Beach Party hit the screens, and although the posters were already on the streets, reportedly the film itself was "re-tooled" to match the style of the AIP hit.
Palm Springs Weekend was the studio's only venture into the genre, custom essay about broadway musical theater. Metro-Goldwyn-Mayer released three films in the genre — two with college-themed backdrops: the Sam Katzman -produced Get Yourself A College Girl with Mary Ann Mobley and Chad Everett in Novemberwhich shared the same clubhouse set with their Fort Lauderdale-based Elvis flick, Girl Happyreleased five months later in Katzman also produced the ambitious When the Boys Meet the Girls in October of the same year.
MGM also bought the film rights to Ira Wallach 's Muscle Beacha satirical novel on Southern-California surf culture. By the time it was finally filmed — and released in under the new title Don't Make Waves — it was not so much a beach party film as a bedroom farce with Tony CurtisClaudia Cardinaleand Sharon Tate as a ditzy beach girl. United Artists released only two films in the genre, the Hugh Benson-produced For Those Who Think Young in Junea college-based comedy with unusually little music; and the critically panned Elvis Presley vehicle, Clambake in December Identifying itself with the genre, the trailer for Clambake promised "the wildest beach party since they invented the bikini and the beat!
Universal Studios released the comedy-drama The Lively Set in using the same leads as UA's For Those Who Think Young from four months earlierthen released two pure comedies directed by Lennie Weinrib : the college-in-the-snow-based Wild Wild Winter in Januaryand the Malibu-based spy-spoof Out of Sight four months later.
Seven films were produced in the genre that were released without the benefit of major studio backing, most of them either filmed or released in As with the major studios listed above, none of the following films were sequentially related either. Dominant Filmswhich also released H.
Lewis ' Blast-Off Girls and Six Shes and a He, released the obscure Daytona Beach Weekend, featuring Del Shannonin April Originally filmed in 16mm at Daytona Beach during Easter weekend, today the film is rare, with no revival screenings or home video releases.
Embassy released the sci-fi Village of the Giants instarring Tommy Kirk who appeared in four films in the genre, including two for AIP as the older brother of kid-genius Ron Howardwho accidentally invents a substance that enlarges living things, with music acts provided by The Beau Brummels and Freddy Cannon. United Screen Arts released two films in the genre, both in A Swingin' Summera Lake Arrowhead -based outing starring James StacyWilliam Wellman, Jr.
Films released Beach Girls and the Monster in Septemberstarring Jon HallSue Casey and Walker Edmiston as characters in a Malibu-based monster murder-mystery. According to several sources, [4] [6] [48] both Trans American' s It's a Bikini World and Crown International' s Catalina Caper appear to have been filmed inbut neither hit film screens untilwith It's a Bikini World coming out in April and Catalina Caper premiering in December.
Catalina Caper is generally cited as 'the last beach party movie,' [4] [5] [48] although that distinction should probably go to Allied Artists' English-dubbed version of the Gaumont Czechoslovakian production Ski Fever originally titled Liebesspiel im Schneereleased in the U. in Like AIP, both the major studios and independents loaded their films with a decent sampling of trendy and not-so-trendy pop music acts and stars, who either appeared onscreen as themselves or sang theme songs offscreen.
These include:. AIP's Ghost in the Invisible Bikiniwhich hit the screens in Aprilwas essentially a box-office failureand AIP immediately switched the focus to stock car racinga fad that was peaking at the time. Only two months later, they had Fireball with Avalon, Funicello and Fabian ready to go, and by Marchtheir last entry was Thunder Alley with Funicello and Fabian. In the meantime, Paramount released C'mon, Let's Live a Littleand two independent films which were made a couple of years earlier — see "Contributions to the genre by other studios" above were released, Trans-American's It's a Bikini World, and Crown International's Catalina Caper.
AIP dominated this genre as well, and quickly released the semi-sequel Devil's Angelsfollowed with The Glory Stompers inand eight more films in the genre between and
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The Beach party film was an American film genre of feature films produced and released between and , created by American International Pictures (AIP), beginning with their surprise hit, Beach Party in July With this film, AIP is credited with creating the genre. In addition to the AIP films, several contributions to the genre were produced and released by major and independent Hamilton: An American Musical is a sung-and-rapped-through musical by Lin-Manuel blogger.com tells the story of American Founding Father Alexander blogger.coma said he was inspired to write the musical after reading the biography Alexander Hamilton by Ron blogger.com show draws heavily from hip hop, as well as R&B, pop, soul, and traditional-style show tunes Achiever Papers: A custom essay writing service that sells original assignment help services to students. We provide essay writing services, other custom assignment help services, and research materials for references purposes only. Students should ensure that they reference the materials obtained from our website appropriately
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